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Winter

 

In the past year or so I have been neglecting my Shakespeare journey, only the odd glance and a lot of guilt, my reputation as a Shakespearian shot to pieces. Then; The Royal Lyceum, just before Christmas, announced they will be performing: The Winter’s Tale, in the New Year. I haven’t saw a performance of this play nor have I read it so I am very excited and looking forward to it immensely. I started reading, from my copy of the complete works, The Winter’s Tale between Christmas and the New Year. There are no notes or guidelines with the complete works, just the raw play, so I have had to take my time, going back and re reading long passages to make sure I have a good grasp of the story.
In the complete works: The Winter’s Tale, is proceeded by Cymbeline and is followed by The Tempest, these are amongst the latter plays of Shakespeare. Doing my research online, Wikipedia, it says that it is one of (the problem plays) because the first three acts are filed with “intense phycological drama” and the last two acts are quite comedic. I must admit, I really did struggle with the beginning, not all of those first three acts, maybe one and a half. I could have done with some help, I did look in my local Waterston’s for a copy of the play by Arden or Oxford but, to no avail. I could have bought half a dozen Macbeth’s but, that’s probably because I live in Scotland, we seem to like it up here, I must admit I do love it too I have read it and saw it performed quite a few times, unlike The Winter’s Tale, which is brand new to me.
Now that I have finished reading the play though I haven’t been to see it yet I am not sure if I don’t agree with it being a problem play. The way it brings in “Gentlemen” to round of the story was a bit frustrating for me. It felt as if it was, not so much tying up loose ends as, spelling it out to us. This may be way off and once I have been to watch the play it may make more sense.
This post could be part one in a series about The Winter’s Tale. After I see it, my eyes and mind may be opened to the wonder and beauty of a late masterpiece. After all that is what happened with Hamlet, I didn’t find the play very inspiring when I first read it, then I bought and watched the DVD with David Tenant and was enthralled with it, re-read it went to see it performed on stage and at the cinema. Now, I love it so much.
A little post script here, just to get me over the five hundred words mark. This has been a good exercise, reading and getting to know The Winter’s Tale. It may not be very good, my post I mean, or all that informative but, it has managed to push me back onto the road of my Shakespeare journey. I know that’s corny but look at the word count. Words don’t always flow.

Reflections on a Writing Conference

Put it in Writing

I spent last weekend at the annual Scottish Association of Writers (SAW) Conference, and, as always it was an enjoyable couple of days.

It was held, as it has been for the last few years, in the lovely Westerwood Hotel in Cumbernauld near Glasgow. And the hotel staff along with the amazingly hard-working, volunteer members of the SAW council ensured the whole thing ran very smoothly.

There were a variety of workshops to choose from and I went to three:

SELF-PUBLISHED FROM MANUSCRIPT TO MARKET – this was led by the director of an assisted and highly reputable publishing company. It was a good overview of the process of self-publishing but understandably he took the view that an author going completely alone couldn’t do as good a job as would be done by a company like his. But although I didn’t agree with everything he said, I did find the…

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26 Books in 2017 Book 20: A Book That Has Been Translated

Put it in Writing

The Millennium Trilogy by Steig Larsson.

Unlike most of the other books in this challenge, number 20 was an easy choice and came to mind immediately. Originally written in Swedish and subsequently translated into English (the language in which I read them), this dark, psychological, crime thriller trilogy ranks amongst my most favourite ever reads.

Okay it’s three books but to me they’re very much a unit. The set consists of:

  • The Girl With The Dragon Tattoo (2005)
  • The Girl Who Played With Fire (2006)
  • The Girl Who Kicked The Hornet’s Nest (2007)

The translator is Reg Keeland for publisher MacLehose/Quercus

For me these novels were compulsive reading. The main characters in all three books are Lisbeth Salander – a damaged, feisty, feminist, techie fighter for justice, and Mikael Blomkvist – an investigative journalist – and they are a totally beguiling partnership. The stories are intriguing, shocking and completely gripping.

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A Biography of Story

 

A Biography of Storywp-1490647474285.jpg

I am not a great lover of nonfiction books, I do love history and the odd travel book but, when I saw Trish Nicholson was publishing another book, I immediately pre-ordered it from the web site. With some strange quirk, I got this splendid tome at least two months early. The full title is: A Biography of Story: A Brief History of Humanity.

The book, or should I say Story, for it is sort of she who narrates this adventure, starts of at the beginning of mankind, with cave drawings and the short stories of early civilizations from all round the world, Australian Aboriginals, to Indian Temples. She writes about places and cultures with an expertise of an Academic, which she is but, written with an ease so kind to the eye and easy to read.

I love the short stories throughout the book, all surrounded by Nicholson’s wonderful prose. Her own love for the short story comes through on every page. And as she brings the narrative up to the modern age and wonders about Story’s future, in this digital world, you realize how much the written word of storytelling has evolved throughout the centuries and how much they mean to the author, Story.

She must have exhaustingly researched this book but it seems as if she just sat down at the typewriter and wrote it off the top of her head. I have read a few of Trish Nicholson’s books and they are all wonderfully written, from travel books to books on how to improve your writing. She doesn’t dumb down neither does she put on needless flourishes, when you read her books, you are in good company.

The Western World 2

Great writing from Adrian Tinniswood.

Adrian Tinniswood

1905-john-millington-synge-2 John Millington Synge

Synge got three Guardian articles out of Erris, each illustrated with one of Jack Yeats’ oddly haunting drawings of thatched cabins, empty roads and half-formed faces. One day, they drove to the village of Geesala and walked out along the edge of Blacksod Bay until they came to the hamlet of Dooyork. The houses they saw were poor and primitive, ‘broken-down hovels of the worst kind’. People stared from their doorways as they walked by. Women passed them bringing in heaps of seaweed or turf in great panniers slung across horses, often with a toddler perched on top.

They got back to Belmullet to find Carter Square heaving with humanity. It was Friday 23 June, the eve of the Feast of St John the Baptist, and as the sun went down bonfires were being lit all over the west of Ireland. ‘A relic of Druidical rites’, according…

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The Western World 1

Adrian Tinniswood

Jack Yeats.jpg

It is late. The square is full of flaring fire and people.

In the falling midsummer light of a St John’s Eve crowds laugh and gasp at the antics of the boys as they hurl flaming paraffin-soaked sods of turf high into the sky, catching them and throwing them up over and again, leaping over bonfires, colliding with each other, swinging lengths of burning hay-rope around their heads. A child, caught in an ecstasy of pleasure and dread, reaches out unthinking to clutch the hand of a tall man, who just as unthinking returns its grip. This unlikely couple, who have never met before and will never meet again, stand close together, holding hands, until the fire play is done. Then the little girl vanishes back into the crowd and the half-light.

*

On any day, Carter Square in Belmullet is a mass of moving metal. Cars and 4x4s, camper…

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Leda

The Last Days of Leda Grey

This latest novel from, Essie Fox is in the tradition of her other novels, The Somnambulist, Elijah’s Mermaid and The Goddess and The Thief, three individual wonderfully written books, based in the Victorian era. The Last Days of Leda Grey, is a bit different, it’s not based in that period but, Fox has shifted her attention to one long hot summer in the mid seventies and going back in time to the Edwardian era and to the early days of silent films.

Ed, is a hip young journalist, working for a trendy London magazine. We learn he has had a troubled past and is a bit wasted from too much excess from a life in Fleet Street. While in the “Brightland” lanes, he comes across a little shop selling all kinds of hippy and occult paraphernalia, he sees a photo of Bette Davis and on a whim, because it reminds him of his mother, he goes into the shop. The proprietor is an old man, a bit shabby with a Bobby Charlton comb over. As Ed looks round the shop he sees some monochrome pictures of a dark-haired beauty. He is captivated by her and when the old man tells him she is still alive, he decides to track her down, thinking there could be a story in it for his magazine.

I thought this book was fantastic, I’m not great at writing reviews and only do it when something moves me, something I’ve really enjoyed. I read this book very quickly, it just flows along on the page, the writing is rich and descriptive, I like how great writers do that and it was so clever how Fox, made a kind of parallel universe in the town of Brightland, reminded me a bit of Lyra’s Oxford, in Philip Pullmans, His Dark Materials books. When I started to write this, I had to skimm through the book to help jog my memory and was once again, struck  by the wonderful writing of Essie Fox. All the characters are fascinating and well-drawn. Her locations make you feel as if you are in them, with the claustrophobia of the Brightland Lanes shop, to the mysterious shed. The house on the cliff, with its run-down rooms, like an old mausoleum. Every page is a Gothic painting of words.